Neither are superhero movies - hell, Guardians writer-director James Gunn has headed to DC to attempt to save that caped cinematic universe. Then I think that the studios are going to run with the lesson that they should make more toy-line adaptations and not that they should hire more interesting directors, give them resources, and turn them loose.ĭisney, obviously, isn’t going away, despite its current floundering. I think about Barbie, which I didn’t love but was a real movie under that patented pink chassis. But the question of what comes next is not terribly reassuring. Our biggest franchises are showing their age - even my beloved Mission: Impossible turned out a fun but lesser installment that couldn’t draw the same crowds. 3, which I adored, but as much as it was a reminder of how good these movies can be as sweeping, funny-sad-thrilling entertainments, it may be the dying gasp of the old MCU. This year gave us Guardians of the Galaxy Vol. Superhero exhaustion has never felt more palpable than when confronted with the double feature of Ant-Man and the Wasp: Quantumania and The Marvels, two $200 million movies that felt pathetically small in their style and ambitions - and not in an intentional, superpowered way. But now that it might be happening, what lies on the other side?Īlison Willmore: That’s been on my mind a lot this year. Many of us have been anticipating (maybe even hoping for) the end of the franchise era. We also saw Netflix starting to pull back on the mountains of money it throws toward film productions. It saw Disney deliver one bona fide animated flop ( Wish) and another that exists in the liminal space between flop and hit ( Elemental). Bilge Ebiri: This year saw several major superhero movies go bust (and as of this writing, we don’t know if Aquaman will be another one).
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